《The Last Cook》premiered on May 27, a costume drama with no standpoint in its narrative.

Recently, a much-anticipated film and television work appeared in the audience's sight, called - The Last Chef - it received a lot of attention and praise during the promotion stage, making people full of expectations, but it has not been released since its launch.The audience was disappointed.Especially recently, people have been very interested in the premiere of "The Last Chef" and want to know more about it.

On May 27, a TV series called "The Last Cook" was launched on a number of official video platforms. This TV series was directed by Zhang Guoli and starred by actors such as Hai Lu and Ji Lingchen. It tells the story of Puyi's abdication.In the background of the palace, the hero and heroine fall in love.

Narrative stance is the primary issue that most TV dramas must solve.For example, in a contemporary drama like "The Long Season", the narrative stance is that the narrator tells the story of the hardships of people's livelihood from a compassionate perspective.Another example is the Qing palace drama - The Long River in the World - which tells the story of controlling floods in the Yellow River for the people of the world from the perspective of a flood control craftsman.

There are few TV series that lack narrative stance.Even in some Hong Kong dramas that follow the commercial drama route, there are also typical narrative stances.The biggest problem with this movie - The Last Cook - is that it lacks a reasonable narrative stance. Under the background of the abdication of the Qing emperor, it lacks a basic stance on the narrative of this background.Even in many scenes, one can see the attitude of kneeling and envy towards the Qing Palace.

The narrative has no standpoint, it’s the narrator’s fault.If the narrative position is wrong, it may be that the narrator is harboring evil intentions.《The Last Chef》This TV series lacks a narrative stance in most of its plots.However, part of the content is from the standpoint of the Qing Dynasty, telling how difficult it was for the emperor and his minions around him.This narrative position is wrong.The Chinese people have been fighting against feudalism for so many years. In the end, they came up with such a braided drama, which is obviously wrong.

I think that based on the current plot content, the most appropriate narrative position should be an all-round satire of this small Qing court.For example, the common people were so poor that they had to sell their daughters, but the palace was still rich in delicacies.This needs to be satirized, and we can't just satirize the eunuchs, but also the emperor and the group of fools and dogs around him.The entire Qing Palace and the stone lions at the entrance are dirty and should be ridiculed.Lacking this irony, the narrative is a kneeling lick. The narrative of admiring the palace snacks and delicacies is the whip in the screenwriter's heart.

Because they have no stance, or the narrative stance is wrong, the characters in this TV series are lackluster.He also talked about another Qing palace drama - The Long River of the World -.This drama has a stand, from the perspective of ordinary people, and talks about the larger concept of water control of the Yellow River, rather than serving the emperor and his children. Therefore, the two protagonists, especially the young male protagonist, are full of energy.The narrative has a stance, and the characters have spirit.On the other hand, this film - The Last Cook - lacks this spirit.

The behavior of this last generation of cooks needs to be supported by the spirit of stance, so that the entire content of the behavior will be valuable.However, the TV series "The Last Chef" lacks narrative stance and spiritual support for both the heroine and the hero.Neither of them knew why they were working, nor did they think about the value of their work.All in all, these two characters are more like zombies.No matter how good the heroine's food is, she is nothing more than a zombie.

Therefore, good film, television dramas and literary works must first solve the problem of narrative stance and character stance.Of course, the character can be in a turbulent current situation and temporarily not know where he stands. He can be confused, but he cannot be without a stand to pursue.The reason why many of our spy war dramas are narratively successful is because the characters have an attitude and do not go through fire and water for this attitude.

《The Last Chef》In this TV series, the screenwriter has a whip in his heart but is afraid to speak out. As a result, the characters have no position.And a cook who cooks for the Manchu emperor and a bodyguard who knows some martial arts, what else is cute about them?They are just two tools.

Line Class will continue to update film and television information articles about The Last Cook. If this content has kept you up to date with the premiere of The Last Cook, then please pay more attention to the updates of the Line Class.