The experience of young Su Huanzhen entering the world of martial arts for the first time will be shown on the big screen in Mainland China on November 20.《Pili Heroes: Su Huan Zhen》The nationwide release date has been announced. It was introduced by China Film Group Corporation and distributed by China Film Industry Group Co., Ltd. This is the first single-hero origin film from the Pili Puppet Show IP to enter mainland theaters.

Pili Puppet Show has continued to create oriental martial arts stories for nearly 40 years, gradually building a world of misery.Su Huanzhen is the core character, “half-god, half-saint and half-immortal”, an image description familiar to the audience.This time the film selects his teenage years and uses an independent story to tell the story of making friends, killing enemies and growing up after he first entered the world. It does not require the audience to first understand all the relationships between the characters in the long-running series.

Su Huanzhen is involved in a situation where intrigues and good and evil are difficult to distinguish, and she has to make a choice amidst maneuvers and criticism.After the characters see through the pretense, they still try to protect others with strategy and compassion.Confucianism, Buddhism, and Taoism are also incorporated into this growth experience. The film crew summarizes the character's ideas by "defying the false and preserving the truth," and "fixing the plight"; the film will also reveal the secret of "one person's three transformations".

The production retains the physical puppets and real performance.The puppets require hand-sculpting, makeup and hair transplantation. The character's positioning, movements and martial arts are completed by the puppeteer in the set-up scene, combined with cinematography, lighting and special effects.The clothing material, the details of the doll's head, and the rhythm formed by hand control are all parts that should be retained in this shooting method.“Bayin Talent” Huang Wenze serves as the original voice, and the soundtrack uses Chinese instruments such as flute, Xiao, and guzheng.The final poster is signed by Huang Qianghua as the chief director and chief screenwriter, and Huang Liangxun as the chief producer and screenwriter.The combination of real-scene puppetry and post-production light and shadow forms what the film calls "puppet animation" mode.


The film uses the national intangible cultural heritage puppet show as the carrier.This art originated from southern Fujian and is also a tradition shared by both sides of the Taiwan Strait.In addition to old Perak audiences, the film is also aimed at fans of Chinese martial arts and adult audiences who care about complex character choices.The producer, Perak International Multimedia, said it hopes to introduce more mainland audiences to the craft of puppetry through this film.
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