《Sunday holiday》movie plot introduction

In order to let the audience have a deeper understanding of all aspects of "Holiday in the Sun", including the storyline, character emotions and surrounding content, the editor has specially compiled some content about the plot introduction of "Holiday in the Sun". I hopeYou can like it.

《Sunday Holiday》The background is set at the end of the 1990s. The story follows a curious 11-year-old girl Sophie (Frankie Corio)) and her young single father (Paul Mescal) set off.The two went to Turkey for vacation together. The trivial things that happened there seemed ordinary, but those fleeting conversations, spoken and unspoken, portrayed the relationship between parents and children, and revealed moreHow both parties unknowingly become each other’s rock.Twenty years later, when Sophie grew up to the age of her father when he traveled, she recalled the memory fragments of the summer when she was eleven years old. In the real image and imaginary memory space, the familiar and caring father gradually emerged.The sadness he never expressed to his daughter that year.

《Sunday Holiday》 is the feature film debut of Scottish female director Charlotte Wells. It premiered at the Cannes Film Festival in 2022 and received rave reviews.The director admitted that this is an emotional autobiography, inspired by a summer vacation she spent with her father in the 1990s.

《After-sun holiday》 is not only a memory of an emotional journey between father and daughter, but also reveals the theme of incomprehension between family members: a seemingly happy summer trip to Turkey, but when reexamined over time, it turns out that behind the heart-warmingdesolate.The father who appears to be sunny and caring about his daughter actually has a fragile, uncomfortable, and depressed side that is unknown to everyone.The 11-year-old daughter didn't see it. Maybe she saw it, but she couldn't feel it or understand it.The father also deliberately hides his depression and pain from his daughter.The shock of the film lies in this contrast.

The film opens with a mosaic of DV footage, followed by a melancholy middle-aged woman on the dance floor with her eyes open and closed under stroboscopic flash, and then cuts to a 35mm image of the little girl and her father entering the tour bus, hinting at this.It is the reconstruction of this past journey by 30-year-old daughter Sophie.She has to penetrate multiple media such as DV images, Polaroid photos, TV screens, mirrors, glass, and the sea, and push through the fog of memory like a blurred dream, trying to see clearly what kind of person her father is and why he is there.The dark side she didn't know about back then?

The director abandoned plot presentation and dramatic conflicts, and started from the female gaze, using techniques such as partial framing, changing compositions, and uncontrolled close-ups close to the characters' faces to make this trip to Turkey a female sense full of sight, touch, and taste.The purpose of experience is to restore the on-site feeling of memory.Recollecting every bit of what my daughter saw about her father at that time is to recall that summer. The most precious and long-lasting thing is the indescribable but incomparably vast emotion and emotional atmosphere, which was once fresh and warm but has been dusty for a long time.life experience, as well as the regrets and realizations that are inevitable for everyone.

The trip to Turkey in the film, as the laggy DV scene at the beginning suggests, is not blindly happy and peaceful, but also contains indescribable indifference and alienation. This is a true portrayal of the relationship between father and daughter at that time.At that time, the father and daughter were at a delicate juncture in life: their daughter was 11 years old, at the transition point between a girl and an adult. She was in adolescence when her sexual consciousness was emerging, and she was full of longing for the adult world. She would be in the hotel room.Li subconsciously folded clothes, looked in the mirror, adjusted shoulder straps, spied on adult couples making out by the pool, and secretly kissed a chubby boy playing games together.She enjoys her father applying sunscreen or volcanic mud on herself, playing Tai Chi with her father, playing in the swimming pool, diving, sunbathing on the beach and watching paragliders floating in the sky.However, she may be so focused on herself that she cannot see the other side of her father: when she is yelling in the room, she cannot see him cutting off the cast on his foot in pain across the wall;Standing on the edge of the balcony with his arms open; she couldn't see him ignoring the speeding truck in front of him when he crossed the road, looking like he was looking for death; on the night when the two quarreled over trivial matters, she couldn't see him walking alone into the late night sea...…

The father is 30 years old and is on the border between youth and middle age. He has been exploring how father and daughter should get along with each other and has an overly complicated life experience (through the bits of dialogue he exchanged with his daughter and others, it can be seen that he was abused and abused by his family when he was a child).He was hurt by his hometown, so he became estranged from his hometown and family when he grew up, wandering alone in London. He got married and divorced when he was 20, and his daughter lives with his mother), which made him sensitive, closed-off, and incompatible with the world around him.The age gap between him and his daughter was so small that other tourists mistakenly thought they were brother and sister.He tried hard to play the role of a good father, but his reckless youthfulness interfered with him; occasionally, he would either sulk or completely abandon his responsibilities.He seems to have an easy-going personality, but he always closes himself off without warning when Sophie needs him most, and feels guilty afterwards.

The director dares to use insightful sensitivity to explore the universal commonalities hidden behind emotionally opaque characters and stories.And this ability has been fully demonstrated in her previous three short films: - Subway Assault - tells the story of a woman who was sexually assaulted on the subway during rush hour; - Blue Christmas - tells the storyIt tells the story of a haggard bank debt collector who takes a vacation to avoid his wife's mental illness; Tuesday is the thematic precursor to After-Sun Holiday, which tells the story of a daughter's visit to her late father.The characters in these works are all opaque. Without detailed background information, the audience cannot understand this person specifically.They both struggle with denial, dissonance, and lack of understanding in their emotional relationships.

The father of 《Sunday Holiday》 is also an opaque figure, and the director deliberately does not provide the audience with his background (for example, how did his marriage to Sophie's mother break up? What work is he currently doing? What are the travel arrangements?How did he do it? What was his personal condition before the trip and his mental state during the trip? And most importantly, what happened to his father? Did he die? ), but the relationship between father and daughter slowly unfolded from sweetness and happiness to sudden collapse?The process: Sophie wanted to sing karaoke with her father in public, but her autistic and alienated father naturally refused. A quarrel broke out and the two broke up. The father staggered on the street and walked into the darkness.Deep sea.

This scene condenses the development of the emotional relationship between father and daughter - the expression of love turns into mutual cold looks and incomprehension: the father does not understand the excitement of his adolescent daughter, and the daughter does not understand her father's world-weariness and autisticness. The two seemed to be harmonious before, but in factThe gap is widening in all aspects.This scene ends with the father walking towards the depths of the sea, and the screen goes black for a few minutes, as long as his life, fully revealing the loss of control and collapse of the emotional relationship between father and daughter.

The second half of the film reveals that this tender trip to Turkey is actually a cruel story of love and pain: the father, whose life is on the verge of collapse, carefully hides his collapse for the time being (but clues are revealed at any time, but the daughter ignores them), working hard to accompany my daughter and try my best to give her a wonderful summer vacation.As the director said: Although the father played by Paul Mescal has many life problems that he is still facing, he worked hard to be the best version of himself during this holiday and give his daughter everything he could.The best father.%

Precisely because mutual misunderstanding is the truth of the father-daughter relationship, the father's love shown in the memories of his father's efforts and clumsiness will be like a sharp ax that splits the frozen obstacles, having a strong impact on Sophie and the audience as an adult.So many years later, when her father was no longer alive (a fact that can be naturally inferred), Sophie discovered that these memories had become an integral part of her life, and their meaning finally emerged after she re-examined them at the age of 30.: When she reached her father's age and became a mother, she understood the weight of her father hiding all his sorrow from her. Maybe one day, she would do the same in front of her children.

At the end of the film, the director uses a dazzling but warm panning to bridge memories and reality, echoing the opening scene and reconnecting the emotional relationship between father and daughter: the scene starts with Sophie waving goodbye to her father at the airport when she was 11 years old.The body was shaken away, and it was panned to Sophie who was watching this DV scene in the living room when she was 30 years old, and then continued to pan to her father who was holding up the DV player at the airport exit for a long time, and finally turned his back and left alone.In this 360-degree rotating shot, the director, through a simple arrangement, spans two media (DV and reality), and the two time and space (past and present) are both farewell and reunion (a Douban netizen said).Therefore, Sophie's memory, although like a fog, like a shadow, like a dream, can most truly bring her and the audience back to the scene of love over and over again.In this sense, this memory is so precious to Sophie (it is represented by a series of sensory experiences under the female gaze: DV images, Polaroid photos, words left on postcards, floating paragliders, Persian carpetsThe lines and textures of it, as well as every drop of splash in the pool, the hiss of steam in the hammam...), so that as soon as she relives it, she will be in that “scene” again.

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