Introduction to the ending of 《Oppenheimer》's Mistress

The one that has caused a lot of discussion recently - Oppenheimer - has quickly attracted attention from all walks of life since it was broadcast.This drama not only attracted a large number of viewers' attention, but also became many people's favorite.Among them, the topic that everyone is most concerned about is undoubtedly the ending introduction of Oppenheimer's Mistress.Today, we’ll discuss this topic in depth.

In the movie Oppenheimer, there is a flash shot of the death of his mistress, and a black hand presses her head into the water.

Historically, Jean committed suicide. What is shown here is Oppenheimer's subjective perspective. The black hand can be interpreted as his imagination of Jean being killed by the agents, or it can be regarded as a symbol of Oppenheimer himself who was killed by him..

So why does Oppenheimer think he harmed his ex-girlfriend?

If it is suicide: Jean said before that he wanted him to accompany her but Oppenheimer refused. He would feel that if he went back to find Jean, she might not die.

If it was murder: Oppenheimer believed that his participation in the Manhattan Project caused Jean to be killed by the CIA.

The film 《 Oppenheimer 》 follows Oppenheimer in his post-Manhattan Project years, looking at his work and legacy from an outside perspective while exploring the motivations and personalities of key figures who influenced his life.A central figure among them was Louis Strauss, one of the key players in shaping U.S. nuclear policy after World War II.In 1959, President Dwight D. Eisenhower nominated Strauss to serve as Secretary of Commerce.

Nolan completed writing the script in the summer of 2021.Nolan said he was showing some scenes through Oppenheimer's perspective, which will be presented in color.He also wrote the script in the first person, an unusual choice in screenwriting, and occasionally interspersed it with fascinating, surreal images that symbolically express Oppenheimer's inner world.Scenes centered on Strauss are presented in black and white.

Regarding the unconventional choice of writing in the first person in the script, Nolan admitted that it was an odd approach - but doing so clearly communicates to those reading the script that we as the audience will be traveling with Oppenheimer.We will stand in his perspective, enter his heart, and experience everything with him.“

”The story of Oppenheimer is a material that has always interested me.The film attempts to help viewers understand why people behave the way they do, while also asking whether they should behave the way they do.Film, as a narrative medium, has the ability to situate the audience within a subjective experience, allowing them to judge things as the characters do, while also seeing those characters in a more objective way.At different moments, we try to penetrate into Oppenheimer's inner world and take the audience into his emotional journey.That was the challenge of the film: to tell the story of a man who was involved in a series of devastating events, but for the right reasons, and to tell it from his perspective.“

Nolan said that he did not want to convey any of his attitudes to the audience in this film - he just wanted to present a historical presence.Whatever the world thinks of him, Oppenheimer is one of the most important figures of all time.He shaped the world we live in now and has had a profound impact, for better and for worse.His story can only be believed if you witness it with your own eyes.I hope to take the audience deep into his thoughts and explore his experiences. He was at the center of great changes in history and was closely connected to many important events.”

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