《Escape from the British Museum》Creative background

The currently being broadcast - Escape from the British Museum - can be said to have become one of the most popular film and television dramas. Its excitement is not only visible on the screen, but also spreads to the audience, forming a wide resonance..Next, the editor will talk to you about the creative background of Escape from the British Museum.

《Escape from the British Museum》Creative background

At the beginning of 2023, the news that the British Museum was stolen attracted global attention. Some netizens left messages, hoping that “ would make a cartoon called - Escape from the British Museum -, where various cultural relics could be personified, and then revive and escape from the British Museum and return.Chinese New Year at home...”.You can also see the main creator’s reply “Wait for me” in the picture.Subsequently, the main creator stopped for three months, reviewed a large amount of information, and went to the UK for filming.

From bronzes of the Shang and Zhou dynasties to porcelains of the Tang and Song dynasties, and gold and jade products of the Ming and Qing dynasties, there are about 23,000 Chinese cultural relics in the British Museum, known as the "Cathedral of Stooges", of which about 2,000 are on long-term display.Most of them come from the crazy plunder in the war of aggression, as well as the sale of stolen goods by tomb robbers in the late Qing Dynasty and the Republic of China, and private sales by the Qing royal family.

Victor Hugo once wrote in a letter: “ The victors filled their pockets and returned to Europe hand in hand... But what I saw was a theft and two thieves.”

As the short film alludes to, due to chaotic management, these artistic treasures cannot play the role of inheriting history and culture. Instead, they face the fate of being stolen, damaged, and put on e-commerce platforms.Looking around the world, there are more than 1.67 million Chinese cultural relics collected in at least 218 museums in 47 countries.According to statistics, since the Opium War in 1840 alone, more than 10 million Chinese cultural relics have been scattered out of the country due to war, unfair trade and other reasons.

Those treasures that have left their hometowns record lamentable stories in their displacement, and they also remind the Chinese people all the time that if they fall behind, they will be beaten.

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