Japanese drama - Home without Kotatsu - Episode 3 plot introduction

Recently, "Home without a Kotatsu" starring several outstanding actors was aired. The ratings and popularity after the airing were also very good. The plot and character creation in the play were also very good. It is a very worthwhile movie.An excellent episode to watch.Japanese drama - Home without Kotatsu - Episode 3 plot introduction has been discussed a lot recently, so I will tell you about it next.

The mountain god Tatsuo (Kaoru Kobayashi) found a job as a security guard at a construction site. Despite his age, he was not afraid of hard work. He commanded the vehicles to enter and exit with style, and even the angle of the bow was meticulous.These details show the work attitude of the previous generation of Japanese people. They are serious and hardworking in everything they do, and they are proud of their work.

Shan Shen makes himself feel the value of his existence through work. With a job, he is obviously more confident and radiant than in the past two episodes.As for Yusaku Fukhori (Hidetaka Yoshioka), who lives at home, he is even more verbally attacked by his father-in-law.The comparative situation between the two men, Weng and his son-in-law, vaguely brings out the collision of values ​​between people of different generations on work and family responsibilities. For example, the mountain god praised a colleague of the same age as Yuzuo for working three part-time jobs to support the family, implying that he was dissatisfied with Yuzuo for not being able to work.It is a deeply ingrained value among people that men should be responsible for making money and supporting the family while making money at home.

Yusaku went to the construction site to spy on Yamagami at work. After all, he seemed to have a deep hatred for his father-in-law. At first, he thought he had ill intentions towards Yamagami, but it turned out that he was drawing material for the manga.Junki Fukhori (Ryuto Sakuma)’s classmate Reira Harakida (Hirohiro Hirasawa) came to visit her home and wanted to see the cartoonist’s studio. It turned out that she wanted to be a cartoonist and brought her works toYusaku looks at it.Yusaku was busy drawing new comics, and he didn't take Suzura seriously. He thought he was the kind of person who would be very vain when people looked up to him, but he was not at all, and he behaved quite normally. He concentrated on drawing new comics seriously and no longerLie flat.

Marie Fukhori (Eiko Koike) is depressed because she is worried about whether her father's health can cope with the work on the construction site, and also worries about causing a bigger dispute between him and her husband.However, when she confirmed that Yusaku would draw a new comic again, she felt a sense of joy all over her body and she was looking forward to it. From the conversation between the two parties, she learned that Yusaku had not drawn comics for 11 and a half years!This drama has never directly described what kind of painter Yusaku was back then. Was he once very popular?Very talented?Or is he just a short-lived cartoonist who is neither famous nor black?Because it was never explained directly, the audience was quite curious.

When Wanli Jiang and Shunji heard that Yuzuo's new painting was a mountain god, they immediately froze, which was quite funny.Yusaku repeatedly emphasized that this was what Domon Yukihei (Kitamura Kazuki) meant, and he said it as if it had nothing to do with him.It took a lot of time to persuade the mountain god to agree to paint on him.First, at the family dinner table meeting, Wanlijiang was moved emotionally and emphasized that he had waited for 11 years; then, Tumen invited the mountain god to eat high-quality eel rice and talked about the concept and characteristics of the work.

During the whole lobbying process, Banrijiang and Domon were very worried. Instead, Yusaku acted like it had nothing to do with him, saying that he was just following orders. The author really couldn't understand what kind of charm or talent Yusaku had that would make Banrijiang and DomonHelp him like this.In the end, the mountain god agreed, saying that as long as his daughter was happy, he had no reason to object.In fact, Yamagami should be very happy. When he was drinking with his colleagues, he even mentioned smugly that he wanted to become a manga character. It can be seen that his previous dislike for Yusaku was actually just a dissatisfaction with his integrity.

During Domon's lobbying, he mentioned: “ Yusaku's characteristic is his unsocial and flawed character. Uncle, you are a model person who lives according to social conventions, and he is a perfect match.”Isn’t this exactly the setting of this drama?

If we follow this line of thinking, Shunji and Lingliang, two students who face the choice of entering higher education, can be understood as young people struggling with whether to live under social norms. Young people's minds have not yet been formed.Can you choose different possibilities? Do you insist on doing what you want to do, or do you conform to society and do what everyone thinks you should do?With a single thought, they might become a mountain god or Yusaku.Lingliang's family wants her to go to college first, feeling that her comic dream will never come true, but she doesn't want to miss it; Shunki obeys her mother's expectations and accepts the recommendation, and in the last scene, we see that he deliberately messed up during the interview, he tried to give up on himself and conform to social conventions, but in the end he regretted it.

The above is our comprehensive introduction to the Japanese drama - Home without Kotatsu - Episode 3. If you want to have a deeper understanding of this work, including plot development, character analysis and plot interpretation, etc.Content, we very much welcome you to continue to visit our line classes, we will provide more detailed and comprehensive analysis and reviews.