《Chang An》Inventory of cultural relics Easter eggs

The recently popular film and television drama called Chang An has a strong cast, not only good looks, but also superb acting skills, and the plot is also very attractive.Therefore, this drama has attracted a large number of viewers, among which the discussion about the inventory of cultural relics and Easter eggs - Chang An - is particularly lively.The audience also hopes to discuss this issue in depth, so today I will talk with you.

In the currently being screened - Chang An -, there are many fleeting images of cultural relics.The bowl that Li Bai is serving when he is about to drink wine is of the same style as a cultural relic of the Tang Dynasty, and is almost identical to the gold bowl with mandarin duck and lotus petal patterns collected in the Shaanxi History Museum; the necklace worn by Princess Yuzhen is taken from the gold with pearls and precious stones unearthed from the tomb of Li Jingxun in the Sui Dynasty.Necklace; on the screen behind the princess and King Qi, there is a bustling scene of tourists in Qujiang Pool, from Li Zhaodao's "Qujiang Picture".The detailed addresses of specific cultural relic eggs and collections are as follows:

1. Gilt silver jewelry (collected in Luoyang Museum)

2. Li Jue’s body decoration set (collected in Shaanxi Archaeological Museum)

3. Gold necklace inlaid with pearls and gemstones (collected in the National Museum of China, Beijing)

4. 《Qujiang Picture》(Collected in the National Palace Museum, Taipei)

5. Gold and white jade armband (collected in Shaanxi History Museum)

6. Tang Dynasty clay sculpture painted lady figurines (collected in Lushun Museum)

7. Gilt eight-petal silver cup with hunting pattern for ladies (collected in Shaanxi History Museum)

8. Tang Dynasty celadon-glazed porcelain pot from Changsha kiln (collected in Changsha Museum)

9. Gold bowl with mandarin duck and lotus petal pattern (collected in Shaanxi History Museum)

10. Painted gray pottery military drama figurines from the 18th year of Kaiyuan (collected in Qingcheng County Museum)

《Chang An》Princess Yuzhen's gilt silver jewelry (collected in Luoyang Museum)

In the Luoyang Museum, I found the same headdress of Princess Yuzhen, including the hairpins and floral ornaments, which are almost replicas.Among the gilt and silver ornaments, there are ribbon-shaped hairpins and type II floral ornaments. The four ribbons of the ribbon-shaped hairpin are intertwined and engraved with petal patterns, diamond patterns and curly grass patterns.

Type II floral ornaments are hollow carvings, with an overall entangled branch pattern and two magpie birds in the middle. From the exquisite headdress, we can get a glimpse of the superb gold and silver production and inlay craftsmanship of the Tang Dynasty.

《Chang An》Princess Yuzhen Li Jue's body decoration set (collected in Shaanxi Archaeological Museum)

Except for hairpins and floral ornaments, Princess Yuzhen’s flower-shaped hair ornaments are very similar to the accessories unearthed from Li Jue’s tomb. This accessory is part of the body decoration set.

《Chang An》Princess Yuzhen's same necklace inlaid with pearls and gemstones gold necklace (collected in the National Museum of China, Beijing)

The necklace worn by Princess Okjin is a replica of the gold necklace inlaid with pearls and gemstones unearthed from Li Jingxun's tomb.Li Jingxun was a favored noblewoman of the Sui Dynasty. She was only 9 years old when she died, and her burial objects were particularly luxurious.

《Chang An》Screen behind Princess Yuzhen《Qujiang Picture》(Collected in the National Palace Museum, Taipei)

When Princess Yuzhen and King Qi were enjoying the Gaoshi Spear Dance, the screen painting behind them 100% restored the "Qujiang Picture" by Tang Dynasty painter Li Zhaodao. At that time, Qujiang Pool was crowded with tourists and bustling.

《Chang An》Gold and white jade armband on Hu Ji's hand (collected in Shaanxi History Museum)

The dancing Orchid is very much like the flying dancer in the Dunhuang murals. The bracelet she wears is an armband inlaid with gold and white jade. The three pieces of white jade can be freely removed and inserted for easy wearing.

《Chang An》Su Shiliu's single half updo hairstyle

Yangzhou singer Su Shiliu danced gracefully on the boat. Her hair was styled in a bun, a half-upturned bun, which was extremely fashionable in the prosperous Tang Dynasty. It can often be seen in the unearthed pottery figurines and tomb murals of the Tang Dynasty.

《Chang An》Li Bai's wine cup, a gilt silver eight-petal silver cup with a hunting pattern for ladies (collected in the Shaanxi History Museum)

At the peak of his career, Li Bai drank and composed poems at Qujiang Restaurant. The wine glass he used was exactly the same as the eight-petal gilt silver cup with hunting patterns of ladies. The body of the cup was alternately engraved with four pictures of men hunting and four pictures of ladies.

《Chang An》The wine pot used by Li Bai and Gao Shi, Tang Dynasty Changsha kiln celadon glazed porcelain pot (collected in Changsha Museum)

The wine pot used by Li Bai and Gao Shi when they first met. This wine pot came from the Changsha Kiln. Very little Tang Dynasty ink has been circulated, but many Tang Dynasty handwritings can be seen on the Changsha Kiln porcelain.

《Chang An》Li Bai's drinking bowl with mandarin duck and lotus petal patterns (collected in Shaanxi History Museum)

The scene where Li Bai recited "The Wine Will Come in" can be called the highlight moment of the movie.The wine bowl that Li Bai clinked with his friends was a gold bowl with a pattern of mandarin ducks and lotus petals. Most of the bowls unearthed in the Tang Dynasty were silver bowls, with very few gold bowls. This magnificent gold bowl may have been a drinking vessel for the royal family.

《Chang An》Painted gray pottery figurine of Li Bai Huren hat who joined the army in the 18th year of Kaiyuan (collected in Qingcheng County Museum)

When Gao Shi and Li Bai rescued Guo Ziyi, Li Bai was dressed as a barbarian. The hat he wore was very similar to the pointed hat worn by the painted gray pottery figurines who joined the army in the 18th year of Kaiyuan.

This work exudes a beautiful poetic atmosphere, and at the same time expresses profound humanistic care, making people feel a beautiful emotional resonance.The storyline is smooth and natural without any delay. Every shot and scene transitions naturally in an extremely flexible way, making the audience very comfortable to watch.The above is all about 《Chang An》Cultural Relics Easter Egg Inventory. If you like this kind of information article, then you may wish to continue to pay attention to our line lessons, there are more exciting contents waiting for you.