《The Last Immortal》Feng Yin finally achieved nirvana. By chance, Kuching met the inspirational and progressive Feng Huang Huang Feng Yin, and then embarked on the road to find Feng Yin's immortal essence.Later, accompanied by many friends, they experienced many twists and turns, and battled wits and courage with the villain Qinglin, and finally succeeded in helping Feng Yin achieve nirvana.They work together to maintain peace for the people of the world.
The story background of 《The Last Immortal》 is set in an Eastern world full of mythological elements, in which there are gods, immortals, monsters, beasts and other fantasy creatures.The protagonist of the story, Kuching (played by Wang Anyu), is the only son of the ancient true god Bai Jue and Shanggu (Houchi). His divine power was sealed by Apocalypse a hundred years ago, and he was thrown into the heaven by the Shanggu.Disciple of Zeshan.When he was young, he regarded Xiao Feng Jun Fengyin as his pet mythical beast, but due to an accident, his soul was scattered. By chance, he led the water condensation beast A Yin (played by Zhao Lusi) to travel through the three realms to reunite Xiao Feng Jun Fengyin's soul..
Ayin (played by Zhao Lusi) was originally a noble Fengjun from the ancient Phoenix clan, the only disciple and successor to Emperor Fengran.On the occasion of his first Nirvana, he accidentally died due to the unintentional mistake of the little god Lord Kuching, and his soul was scattered. One of the soul fragments was reincarnated into the body of the water-condensing beast. After several reincarnations, the soul finally returned to the original body, in the form of a hundred-year-old larvae and a thousand-year-old soul.Return to the throne.
In the process of searching for Xianyuan, Kuching and Ayin met various friends and enemies, including Hongyi (played by Li Yunrui), the nephew of the king of the Fox clan, Yanshuang (played by Ganana), the princess of the Eagle clan,The water-condensing beast Bibo (played by Qi Peixin), the demon beauty Hua Shu (played by Cao Feiran), the cultivator Lanfeng (played by Cui Hang), the young master of the dragon clan Xiuyan/Ao Ge (played by He Kailang) and so on.Along the way, they collected Feng Yin's immortal essence, went through many dangers, and repeatedly defeated the obstruction of the villain Qing Lin and his subordinates. They helped Feng Yin return from nirvana, gain love, friendship, and family, maintain world peace, and shoulder the righteousness of the people.
《The Last Immortal》not only has a touching love story, but also wonderful action scenes and gorgeous special effects.The drama overcame various difficulties during the filming process and completed the filming of the drama with a high degree of professionalism.First of all, I am fascinated by painting, integrating traditional aesthetic elements and world view settings to build stylized scenes. Famous scenes from the original work such as the Forbidden Valley Cabin, the Demon Realm Gambling House, the Xiuyan Tower, the Eagle King's Palace, and the Yantian Temple are shown for the first time.Exposure, or bright, or strange, or solemn, with distinctive features; the last step is to use the form to enter the spirit, combine the character setting, use highly imaginative costume design to highlight the personality of the character, and combine myths such as phoenix, eagle, fox, bird etc.Fairy animal elements are integrated into the visual presentation.In order to present the highly imaginative and imaginative world view of oriental mythology and fantasy aesthetics on the screen, Xixi Films introduced traditional culture into the drama in The Last Immortal.On the one hand, the play digs deep into the rich and timeless ancient Chinese culture, introduces many mythological elements from the Classic of Mountains and Seas into the character setting and costume design, and presents the fairy spirit of the characters in the fairy tale in a personalized way., gods, immortals, monsters, and beasts have their own characteristics, avoiding the sameness of characters and forming a unique "Mountain and Sea Cultural System" worldview; on the other hand, the play combines intangible cultural heritage such as bead embroidery, Beijing embroidery, and Su embroideryElements are introduced into the production of Fu Hua Dao, presenting a unique visual feast to the audience. The series inherits intangible cultural heritage in its own way and injects fresh vitality into ancient cultural heritage.